hot on the heels of acclaimed releases for four:twenty, dessous, sonar kollektiv, buzzin fly and his own diynamic usic, house producer du jour mladen solomun returns with his second stunning single for dessous after the sublime >sambada ep<. >woodstep< is a percussive trip to the heart of house, a tech-tinged groove peppered with strange tribal rhythms, evoking a midnight trek into the sultry tropical rainforest. on the flip, >no comment<, an analogue bubblebath of a bassline propels a techier cut, where detroit washes do battle with stepping keys, a crisp beat and belches of hissing smoke. halfway through, a spoken word sample ushers in lush echoic piano chords, taking the track to the next level. combining the heavily rhythmic bustle of classic house with the darker touch of techno in his own idiosyncratic & dancefloor - capti-vating way, solomun once agains shows why hes rapidly becoming one of the most in-demand producers in the game

to celebrate our 25th release funkatech records are proud to announce the huge double a side follow up to play it loud one of the biggest cross genre tracks of 2007 from the act blazing a trail through breakbeat & beyond... far too loud!

imagine ed banger partying with throbbing gristle while donna summer watches from a distance and you are somewhere near to how this sounds, 8 bit backing tracks give it a retro feel while alices vocals are mashed, filtered and processed through various effects pedals sometimes to the point of being incomprehensible.

already supported by pan-pot, sebo k, anja schneider, kiki, karotte... simplicity is the name of the game on both tracks here. on >louder elvis<, the two unleash pure deep-house bounce over ominous, detroit-inspired pads, clean-as-a-whistle bleeps laser their way through a fog of dubbed-out delay. the tunes flow suggests a live session, with tumbling chords following their own whims, but theres nothing haphazard about it. this ones all about the afterhours, head down and moving steadily into the light. a vocal sample kicks off >radio graceland< but dont expect any bloated rock n roll theatrics. instead, van dowski and agnès lay down a slowly rolling groove with a latin touch and even a little bit of reggaetón lurch. hand drums dapple the landscape with faded colors, keeping the mood subdued—at least, until the beat gathers steam and bright, syncopated chords splash about. groaning analog noises push the energy restlessly forward, driving dancers to wild abandon: the track is as effective as it is unconventional. what else would you expect from two of switzerlands most uncompromising crowdpleasers

electric minds present gatto fritto for their 3rd release. a talented musician and producer from north london, he has been steadily building a reputation through his releases on london based dissident. extending his repertoire further he brings another quality production to electric minds. the a side bursting the bubble is a nine minute jam with quirky sync samples, heavy bass and a change in direction half way through the track which is becoming a trade mark of gatto frittos productions. the b side radio b-92 did not make its place on the first electric minds release as planned, so they were delighted to have been able to include it here. it is a sync rich track taking inspiration from new yorks 80s electro scene, a perfect compliment to what is already a very strong 12inch release. house heads as well as the cosmic fans will appreciate both productions

get ready for this summer palate ! laposer have come out of nowhere with the biggest club rocker for us since dubfires and guido schneiders plastikman remixes hits the decks last year.taste this african twist, floor rasing house anthemas it sweeps through momentous build ups and spiced with a touch of outstanding percussion and a whole lotta house and groove for good measure. the b-side is irresistible as well, yet even more modern. no digital sales, no minimal ! pure vinyl! both songs drip of the sweat of the dancefloor -- each swinging with a tight, static afro-beat/house/funk-fused propulsion

taken from forthcoming album being through the eyes of a child. remixes by uks amazing domu & bay areas j boogie

the sword is a colossal, high energy powerhouse. utilizing a potent combination of intense songwriting chemistry, eye opening creativity and talent and a distinctly unique vision, the sword is, without question, one of heavy musics most electrifying new bands. more ambitious, more accomplished and simply bigger, gods of the earths huge, mountaintop friendly hooks, thunderous drumming and oceanic bass lines cut through the air like a scythe, while the ominous vocals of frontman j.d. cronise weave fantastical tales rife with myth and mythology. waves of powerful riffs and low end thunder dominate songs. this is a must for fans of all things heavy!

geo records are proud to release the debut ep from raf and o has the air gone walking. the ep is on shiny 10inch vinyl and features four tracks ? sky, cycad, 7 blue and squeezebox. all haunting vocals, shimmering electronics, throbbing bass and glitchy grooves ? its the sound of a three way musical and sonic collision ? informed by a pop sensibility married to an experimental spirit. it marks a relaunch for geo ? the label mainly so far a home for melodectronic space commander gagarin whose several geo releases have garnered largescale critical acclaim across europe. the ep is the first release in a programme of regular eps and albums throughout 2008. has the air gone walking is a taste of whats to come from the debut raf and o album due later this year. raf and o will be undertaking a series of gigs through the spring in support of the album as well as a live session on resonance fm.

dj dynarec has continually created tracks that jar the mind and stir the body to move or imagine a futuristic world. dynarec kicks the ep off with pneumatic transport the strings are reminiscent of early cybotron and model 500 with strings cutting through your speakers while still being classical with a detroit darkness.

truffle music returns with andrew allsgood at the helm again. the up and coming producer and longtime toronto dj shows his promise once again with this slow grooving funk masterpiece that stretches over 7 minutes. the song travels through many sections and passes, carried the entire time by a driving dub bassline and vocal. for the lovers of deep, dubby and funky house and disco. nycs drrtyhaze (tirk, gomma) are commissioned on the remix and deliver the goods with an up tempo hypnotic stormer that sizzles with its surreal energy and simplicity. drrtyhaze use few elements from the original other than the vocal, taking it into deeper territory with a faster tempo and groove and much more electronic feel to the originals organic vibe.

first 12 ep with tracks taken from the album >passin<

the 7th coup of the aspiring 9volt label comes from the german sound adjusters called 42 grad guyz! kaufmann and ferdinand,known as the carriers of their label kaufe musik (for instance established through remixes from patrick lindsey and someone else

ferrer and sydenham having been knocking out some superb stuff on the ibadan label recently, and sandcastles doesnt break the streak, with its sublime piano line coming into its own late in the mix after a lengthy lead in of subtle percussion, throbbing kickdrum and stellar synth play. a warm and lush track, the cut builds through the beats, to the piano line and finally to vocal refrain and a wall of synth strings that round this track off perfectly.

virgil enzinger, breaking through with his amazing record for chris liebing s clr back in 2006, starts up the zerocol-series with a one-sided hammer named black, and there is truly no other word which could describe it better. a slowly developping arrangement on 126 bpm creates a dark atmosphere while the grooves combine straight drumming with 6/8 shaking elements. for those of you who prefer it dark, but high end, this is the record.

the term >ballad< is written similarly in many languages of the western hemisphere. it is a antique word. you can find its etymological origin in the latin verb >ballare< - which means >to dance< - and the greek verb >ballein< - wich means >to move<. a ballad is always a story told through music. in recent times the term >ballad< is often associated with greasy / absurd pop music. what a shame! ballad inc. releases tracks that earn the label >ballad<. on our first release >exile< you can listen to the epic story >high hopes of salvation< by quietpoint and to two short stories by xdb. >anilem< and >jupit< got everything a ballad needs. of course you can dance to it. of course you can move your body. but this should not be the main issue! there is so much more in modern instrumental music. who needs words to tell a story?

uks ben wijay starts canute music, a sub-label of phreakin recordings displaying his more adventurous techno and tougher house music concoctions. bringing a slightly harder feel than the phreakin output, but remaining left of centre with quirky melodies groovy percussion. >poisoned potato< starts in dark techno waters with a deep acid bass line, then blossoms into almost border community territory with anthemic distorted chords and quirky breakdowns.>feke< delves deeper with an arrangement that goes from hauntingly minimal into an aggressive staccato riff, then morphing back into itself with deeper melodies. definitely aimed at the 3am dance-floor and will appeal to lovers of the detroit techno sound through to the more obscure villalobos territory. gathering big support from the likes of charles webster, john aquaviva, aldrin and mixmags >house single of the month< (feb 08)

reykjavik based bjoern kristiansson picked up some melodies that least for eternity on his winding road from a progrock youth through an electronic warmth.

amazing limited reissue of an obscure disco synth bomb from the early 80s! the connection between daryl cameron of eye beta rock and 4lux head honcho gerd goes back to the early 90s. at this time gerd was recording for detroits malego records. chicago legend armando toured europe to do dj, set up by ep connection in collaboration with the dutch seesaw crew in 1992. through armando, gerd got acquainted with daryl camerons boogie stuff. daryl was in the mix with loads of chicago producers such as farley jackmaster funk and armando himself. just a 400 copies limited edition run!! no repress on this big 80s synth boogie track!

belgian artist ludwig buez who has worked a long time under the soul preachers nickname is really happy to introduce komplement recordings, his fresh new electro minimal label. for the first release & asked french duo ginos & snake to remix his original track. on the a side, you ll find the original hypnotik electro track called cirkus. dark psychotic synth & great killer break gives to this track all the power & the emotion needed for massive crowd reaction. the remix from ginos & snake is a perfect exemple of how good these 2 guys can work with their gears! they did a more progressive construction, added raw synths & worked the main melody through special effects!

dj ogi (beast music, planet rhythm, patterns, compressed) picks it up again and shows why the labelowner likes his style so much! solid kicks and no-nonsense editing skills makes his tracks driving through and through and through!

newest release from fools gold (kid sister, a trak). huge club rework of a rap classic, includes remixes from flosstradamus and nacho lovers and b side party smasher juggle it!! after five years running their wildly successful club night disorganised which has hosted the realiest canadian appearances of such party favorites as mstrkrft, css, diplo, crystal castles and girl talk longtime selectors dj booth and chameleonic decided to dive headfirst into producing tracks of their own, and jokers of the scene was born. jots take the best and most mind meltingly intense parts of dance music through history the ecstatic buildups of big room euro house music, the hyper distorted basslines of electro rock, and the lighthearted samples of 1990s rave and throw them all in a blender at 130 bpm. its loud, its fun, and its lighting up dancefloors worldwide.

marset s newest oeuvre, hazard ep, is a trip, starting with drifting techno sounds, through swinging beats into a relaxing springtime track which is predestinated to start or to die away your set. there with he demonstrates how diversified an ep can be

the a side kicks off with the highly anticipated release of party all night from french producers bobby and klein, chanting we gonna party all night over an infectious groove that kicks things off proper! the a2 follows party all night with nashvilles real time hand motion hitting us with their amazing honey tune. all the trademark rthm cuts, edits, and vocal bits come together to deliver a funky analog bassline jam with a really unique dancefloor jam. on the flip, mebourne, australias d t3ch turns in the gorgeously funky meerkat music, a tune thats been killing danceloors and a vocal that puts a smile on everybodys face. not to be missed! and last but not least, label bosses the sound republic deliver a tongue in cheek tribute to jason hodges with a chopped up tracky jam that jacks through rolling pianos, xylophopne backed with a bass bit that is humanly impossible not to dance to. all in all, the 4 piece set ep is kicking off the new year in style!

patrick skoog has risen through the ranks over the last few years with massive success having produced killer releases for labels such as drumcode and we are over the last few years. he has established himself firmly on the scene now and this killer 3 tracker just goes to cement that reputaion further. enjoy!!

in the year of punk 1977, the jams exploded onto the music scene with this seminal debut album. the raw, unfettered aggression of the bands approach was well in keeping with the spirit of the times, but the heart of their songs and sound lay in the mod movement of the mid 60s. singer/guitarist paul weller comes off like a cross between joe strummer and the young pete townshend, bashing unreservedly through slow down, one of the r&b tunes that inspired the original mods. weller extols the virtues of frenzied dancing and nonconformist youth culture over the raging three chord attack of bassist bruce foxton and drummer rick buckler. the pure punk insouciance of his words and delivery is a perfect match for the raging but hooky arrangements, which basically consisted of the band walking into the studio and blazing through their live set. rickenbacker guitars never sounded so thick, and skinny ties never seemed less geeky.

what better way to kick off this new year with an outstanding ep from our latest signing hailing from japan. ryoh mitomi is becoming a producer to watch in 2008 through his recent releases on belgiums infamous r&s records, technasias minimaxima and canadas restructured recordings. ryohs debut immigrant ep showcases ryohs versatile production style of pure techno to house.

let the dance floor ignite with this latest installment on the legendary techno label. gideon fires em up with a set of floor rockin tracks opening up with the uplifting floor filler >sunrising.< a tune sure to reek havoc through its hypnotic synth stabs. on the flip the journey continues with the perfect warm up in >nightfall<, and progresses into a dub fueled chugger in >daybreak<.

nice price deal !!! once again taken from paris well respected pro zak imprint, this seductive, spliffed out odyssey takes the listener home after a blunted journey through future roots riddims for the millenium. grau one is the first one of a to be continued series. a side: big synthetic rave dancefloor bomb with an on the road again swing bassline. side b: monty rock is an electro elegant hypnotic 80s new wave transe danceflloor hit! dont forget your boots and your slim jeans.

old school flavoured techno trax!! the ep takes you through all faces of the game from jacking beats with nervous sample work and high speed edits to pure dancefloor explosions and emotional phases.

a masterpiece from an ep!!! 4 housey tracks that gudes through the different styles of house music. from the deep grooving via electro/funk flavoured breaks of make it dont fake it and ordinary unusual to the techy edged tech romance. you cant afford to miss this gem!!!

in 2007 tom dazing established himself as one of the most up and coming artists of belgium. at just 21 years of age he can count richie hawtin, josh wink, james zabiela, marco bailey, ambivalent, gabriel ananda, seth troxler, dominik eulberg, skoozbot and many more to his supporters. toms first heimatmelodie-ep was sold out after 3 days so its about time for more insane minimalism! the ep is opened by >sweet lady luck smiles<, a deep and dark sub-bass-mover featuring one of the filthiest synths you ever heard. quite contrary is >pun intended<, a quirky and uplifting party-mover destined to cause major damage on your primetime-dancefloor. the b-side offers 2 deeper tracks, the original of >visually hungry< is a hypnotic and slowly building groove-track, while arnaud le texier delivers a truly mental and dark technointerpretation. toms trademark outstanding sound quality shines through on all the tracks and finally turns this package into a musthave. all tracks written and produced by tom van der kelen

as on his first 12inch hidden structure ep, finland based producer rasmus hedlund is delivering his follow up with uplifting, energetic and ass shakin future electronic music. the opener >tasureitten jaelkeen< is a combination of the deepness of house and the direct drive and aggressiveness of the monetanous techno sound, stirred up with that special, classic and timeless feeling while the a2 takes the vibe harder with layers of pacy minimal soaked rhythms by remixer uemit akauna and his fresh mixing gives this track a real big system bass edge. on the flip we have kolinator, a more percussive tool and the b2 skuuges taas. all four tracks are aimed squarely at the dancefloor, with straight forward 4/4 beats driving through raw synth stabs, minimal percussion and deep bass - a clear-cut killer groove record which nails the crowd to the floor!

one of japans most intriguing graphic artists >baiyon< has also been producing ethereal and engaging tracks since 1998. having journeyed through cut up hip hop house and dub regions under his conceal moniker, d1 invited him to perform two ecstatically received live sets as baiyon at dublins deaf festival in 2005 and in 2007. now for our 41st in the d1 catalogue we are presenting 4 flawless minimal >trecks< of deep space activity. first up is >s soup< a slick fusion of traditional japanese block grooves and drum machine that climbs its way up into a cloud bursting deep dub house melody explosion. side a is completed by a remix of aforementioned track by south african dj/producer >shane berry< of synewave and trapez fame. the mission continues through >the middle< showing a slightly tougher side to this usually light hearted artist. the plate concludes with a stunning bouncy deep jerky house number >can ride, can walk, cant wait< sweet deep melodies dubbed out over club chuggin beats and a red hot squidge bassline

after unleashing the celebrated bare fist edits on us, the mysterious monsieur gateaux is back with a stunning original production. much is being made of the cosmic revival, and sure enough this does tick all the mid tempo, blissed out balearic boxes, but theres much more to love about dune, with its spacious ways and early 80s european electronic, dubbed out psychedelic vibe, shot through with a little eastern promise. its little wonder its been receiving major props from the bearded elders of sit down djing, off the back of a handful of early copies surfacing in the uk. as if that wasnt enough, the (not so) mysterious phoreski taken over the remix duties here!!!

penny and ashtray from osaka, whose idols are both john travolta and linus torvalds and who already released the maxi 12inch floppy disco on saasfee connecting japan and frankfurt as progressive bleepfloor rockers deliver 10 hot new tracks for their first album release and avoid to be specified for one typical genre. the secrets of galaxy z include a mixture between future disco, experimental and psychedelic tracks on a weird trip through the universe of bleepy space a delic sounds.

big with adam beyer, dubfire, len faki !! through his raudive alias oliver ho has caused a very serious stir over the last few months. he has released some seriosuly heavyweight material on labels such as music man, poker flat, klang, we are and podium as well as some killer remixes for the likes of figure and pocket . he really is one of the producers of the moment and this amazing 2 tracker for the leviathon that is drumcode will further cement that solid reputation.

another impeccable production from the slyde boys, with driving beats, infections vocals, and outstanding remix by man of the moment twocker. the a side is breaks at its best. the bassline weaves its way through the sonic stack as posh seduces with her flirtatious lyrics. an outstanding remix comes courtesy of pete tong faves twocker, whose previous remix skills have run riot on cj bollands sugar is sweeter and morillos we like to move it. their genre crossing slyde remix hits all the house buttons, with a jumping jack intro and intense punchy bass lines which juxtapose perfectly with poshs vocals.

at the forefront of the new wave of german techno, p.toile and her co-producer alexander krueger (aka tigerskin, aka dub taylor) have created a jittery, bubbly bomb without a piano in sight. propelled by chopped up vocals and rolling snares, >piano piano< conjures up images of an 18-wheeler chugging down a lonely highway on a rainy night, receiving fractured instructions over a faulty cb radio. midway through the track, ethereal pads pierce through the darkness. the rain stops, the clouds part, and the melodic percussion hammers back in. sven tasnádi has dominated cargo editions recent release schedule with his own unique productions as well as collaborations with daniel stefanik, so we are understandably excited about his first contribution to mothership. svens >adventsfrequenz rimüxx< pulls us even deeper, exploring >piano pianos< main chords from a percolating underwater world. a steadily building groove unfurls majestically on the ocean floor, punctuated by rolling congas and sudden crashes, as if a hurricane raged on the waters surface

after a long break due to the work on the new dirt crew album and numerous remixes in the past 2 years break 3000 is back solo with his typical deep trance techno sound we know from his great releases on my best friend and trapez. this 10 minute plus monster is a dark and pumping excursion into the heart of techno. with a massive beat and a hard hitting piano stab the track winds itself through any soundsystem and when the old school 90s strings fall in you can be assured that the crowd goes crazy… on the flip daso proves his skills with an even tighter techno mix of the original. with his latest work for spectral and connaisseur he is on the top of the game and we are very proud to have him on board with this excellent remix, its amongst his best productions to date! loved by dave mothersole, c rock, p toile, sasse, nunos dos santos and many more..

dj disse returns with another hot slab for music for dreams. the real roots ep sees the man reworking the doors break on through to maximal dancefloor effect and its teamed with an additional three deep and duby originals. more quality from the music for dreams camp

the london duo made up of dan gerber and saul good debuted with the single dirty bumf&#146,in 2005, through rip records. now on thunder finger records, kerowack has released their initial multi-track work, appropriately titled the first ep.

john hawley and heather doble work up a prime time heater that is exactly what the record chants... funky shit! here is a record where sound navigators lead the dance with a hot 12inch loaded with fierce vocal chops, jacking keys, crisp drums pulled out by a hot range of deep bass keys! the deep analog keys that run through this record are exciting and will throb nice and sweet out of club systems. atnarko shows up to turn heads again... this time on a remix tip. with production skills like this don’t be surprised if he becomes flavor of the moment - very soon! his mix offers the best of hypnotic tones, jacking baselines and explosive openings of deep keys. both mixes combined live up to the double down catalog of super smokers if not take the lead!

mr. fuerstenberg is back on the mojuba sublabel. this time with a musically kind of repentance! this two-tracker convinces by mr. fuerstenbergs capability of making his very own and always reliable way through the worlds of techno and dub. on the a-side we have a bouncing peak-time track, that will shake the floor! and the flipside comes along as a delightful and reflective tune for the more relaxed times in life!.

after a very successful release on immigrant records and a couple of remixes this year and a very busy dj schedule on the nations floors, mr. sleep another day and old highgrade buddy, jens bond, returns to sender, spreading his urgent little flatbread ep through our highgrade network. with some coolish afro rhythms and strange zitarsounds, flatbread immediately makes sure to storm your mind. also the b1 superficial demonstrates mr. bonds current affection for complex rhythms in a minimal corset. then again b2, kodiac gives us jbs interpretation of a warm and housy minimal track

its been smashing clubs worldwide since the summer! nightrhymes deliver this addictive infectious club rocker. the standout vocal just sticks in your head and will have all singing along! it was destroyed venues worldwide from pacha funky room right through to hong kong and australia. dj meme gives an essential uplifting hands in the air club remix. alfred azzetto reworks this into a deep techy. steve of soulbasics fame bumps up the energy into a europhic electro dancefloor stopper! nightrhymes give 2 mixes, the club mix is a deep, dubby, bouncy affair whereas their space remix offer something for all the main room cats! the full package really does offer mixes for all tastes and crowds... support has been from all leading angles of the dj world including: dimitri from paris, franckie knuckles, purple music, le roi, panevino, matt caseli, andy ward, dj rocco, yass, christian hornbostel, audiowhores, graham sahara, central avenue, mr mike to name but a few few....

played by laurent garnier, danny howells, tom wax, hernan cattaneo, pig & dan, darko esser, mauro picotto, mike monday… four years ago jacob trier (husley) and august jackobsen (gunz) hooked up in london through their love of music. jackobsen was coming to the end of his ba in jazz music at trinity college, whilst jacob was playing dnb at various parties in and around the city. teaming up and bringing together their talents, they initially formed the group >nocturnals<. exploring various musical boundaries from deep electronica and ambient to break beat with jazzy undertones, and live performances with brass sections and vocalists, nocturnals found support from gilles peterson who signed them up to perform as part of his glenfiddich tour. as nocturnals developed so did husley and gunzs interest for techno and house, and their live dj sets using laptop, sampler, keyboards and turntables really took off.

played by: adam beyer, magda, loco dice, tadeo, 2000 and one, miss kittin, laurent garnier, joel mull, xpansul, matt star… groovie, dancefloor friendly and fresh is how the latest martinez reference opens. it comes through cray1labworks, again breaking frontiers, the spanish label counts on the danish genius martínez, banner of re:connected, at the summit of current minimal. >you< is an orgy of sound layers, frequencies and blurred voices. >stavanger< moves faster, with a vibrant percussion, overlapping and ever-changing. dark minimal tech, remarkably complex & absolutely catchy. perfect for even the most demanding clubs. >burning the midnight oil< opens with a rebellious force. drums flying and bodies moving, the perfect mix between ritual & techno percussion. suddenly it transforms into house: thick pads moving down your spine. and you are surrounded. inside martinez latest hit

the original mix is an eclectic, blend of brooding atmospheres and jagged, prickly synths with a techy feel!! david west sticks to the experimental theme and retains the vibe of the original but through a cocktail of groovy bass stabs and beefier drum effects, creates a chunkier, more dynamic sound